Lamidi fakeye works cited page

Lamidi Fakeye Paintings & Artwork for Sale | Lamidi Fakeye ... "The images of women in Lamidi Fakeye's work: an analysis of a contemporary art," pages Fakeye's sculpture, which Lawuyi sees as androgynous in character, may relate to Fakeye's personal religious identity, which centers on Shango, Eshu and Ifa.

Lamidi Fakeye: Exploring Yoruba Mythology through Art Lamidi Olonade Fakeye ( – December 25, ) was a fifth generation Nigerian sculptor and academic. He was from the Inurin compound of the Isedo Quaters in Ila-Orangun. Professor Lamidi contributed immensely to the growth of sculpture in the whole of the country and even beyond.

Lamidi Olonade Fakeye - Wikiwand Discover all artworks by Lamidi Fakeye (Nigerian, - ) on MutualArt along with auctions, exhibitions and articles featuring the artist.

(PDF) The woodcarving genre of Lamidi Olonade Fakeye: A ...

His works, largely of Yoruba mythology, depict some of the beliefs still being held today in various royal settings across the Yoruba land. This explains why works of Fakeye and some other.

Lamidi Olonade Fakeye 1928–2009 | African Arts | MIT Press

Lamidi Fakeye was a Nigerian Postwar & Contemporary sculptor who was born in Numerous key galleries and museums such as Kalamazoo Institute of Arts have featured Lamidi Fakeye's work in the past.

Fakeye cited the 1970s as his career peak, when he realized he had mastered his craft.
Fifth-generation Yoruban wood carver, artist, and academic Lamidi Olonade Fakeye merged the contemporary with the traditional through the intricate sculpting of religious and royal Yoruban figures.
This paper examines the life of Lamidi Fakeye, a traditional wood carver, his early life, influence, style and analysis of his works.
Elizabeth Morton; Lamidi Olonade Fakeye – African Arts ; 43 (3): 10– doi: Download citation file: Ris (Zotero) Reference Manager; EasyBib; Bookends; Mendeley; Papers; EndNote; RefWorks; BibTex.
"The image of women in the wood sculptures of Lamidi Fakeye," pages 110-120.
In his works decorative passages on items of clothing or coiffures are set off against the simplified anatomical forms and broad facial planes of the figures. From Wikipedia source content Lamidi Olonade Fakeye ( – December 25, ) was a fifth generation Nigerian sculptor and academic. He was from the Inurin compound of the Isedo.

Monographs on African Artists - Smithsonian Libraries

(Nigerian, ), Figural Panel with Four Scenes Depicting the Yoruba Culture, , signed at top "L.O. Fakeye", carved mahogany, /2 x /4 in., light abrasions, two small splits at top Lamidi Olonade is an important fifth-generation woodcarver of the Fakeye family of Ila Oragun, Nigeria.

Lamidi Olonade Fakeye: A Retrospective Exhibition and ...

Lamidi Olonade Fakeye's () woodcarving practice from , bestrides different Artworlds that span from the colonial to the modern art practice periods in Nigeria. A number of studies on Lamidi exist, the trailblazer being Kevin Carroll's () book on Yoruba Religious Carvings.

Lamidi fakeye works cited page	Làmidi is often the reference point in art historical discourse on the Fákéye and Yorubá woodcarving but he is not the only heir of the tradition.
Lamidi fakeye works cited page pdf	Lamidi Fakeye is the last of traditional Yoruba carvers whose work was not influenced by Western orientations.
Lamidi fakeye works cited page free	Fakeye, Lamidi Olonade (1924–2010), Yoruba wood sculptor, was born in 1924 in Ila-Orangun, now in Osun State, Nigeria.
Lamidi fakeye works cited page in apa	This is substantiated in Adjere's (1969:5) critique on Bisi group exhibition in 1969 thus, “Olabisi's works can be mistaken for those of Lamidi Fakeye”.

Lamidi Fakeye | 20 Artworks at Auction - MutualArt

Lamidi Olonade Fakeye’s () woodcarving practice from , bestrides different Artworlds that span from the colonial to the modern art practice periods in Nigeria.

Lamidi Fakeye | 20 Artworks - MutualArt

Lamidi Olonade Fakeye ( – December 25, ) was a fifth generation Nigerian sculptor and academic. He was from the Inurin compound of the Isedo Quaters in Ila-Orangun. Professor Lamidi contributed immensely to the growth of sculpture in the whole of the country and even beyond.

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But most importantly it was written by the artist himslef and is true to his personality. This type of document is rarely written by a person of Lamidi Fakeye's experience and status in Yoruba carving. This book reflects on the past while being rooted in the present situation of a Nigerian artist today.